Thursday, November 9, 2017

Summerwind Magick


A little over two years ago, BookBub brought Rick Bettencourt to my awareness in the form of his novel Tim on Broadway.  I purchased the book in August, read it immediately, and fell in love.  I was doing a 75 books in 2015 challenge, and Tim was the 70th book I had read.  The review I wrote and posted on Amazon.com is still on the site, and reads:

70 of 75 for 2015. This is NOT a gay harlequin. Tim is a fat, out-of-work momma's boy whose mother died in a horrific car wreck three years ago. A wreck that Tim blames on himself as he was driving at the time and did end up going the wrong way down a one-way street. Tim has one friend, a plump woman he's known most of his life. He is all but a virgin, and his self-loathing will probably keep him that way unless someone can get through to make him see how wonderful he really is. Javier is a straight Venezuelan co-worker who "lets" Tim give him a blowjob in exchange for a loan of $1000. Will Javier pay back the loan, and if so, with what? Will he stay in Tim's life, even though he's straight? Will the two find true love and redemption at a production of West Side Story? Well, those are the questions if this really were a harlequin romance, but it's so much, much more. And Rick Bettencourt is a much better story teller than your average formulaic romance author. I don't want to give away a bit of this story which just itself is redemptive reading. I give this book my highest recommendation.
I immediately signed up for Bettencourt's mailing list, and this week got an invitation to pick up a free copy of his "newest" book, Summerwind Magick: Making Witches of Salem.  Full disclosure, I got the free copy (in e-book format) with the proviso that I would write a review of the book and have it ready to post when the book officially goes on sale November 10th, 2017.  Bettencourt has changed his online portal, and in truth, getting my preview copy was a bit of a challenge, but I persevered.   Downloading the book on November 8th meant that I had two days to read the novel and get my review ready.  I like to say that I read a book a day, but still, it seemed a bit rushed.  Fortunately, the book drew me in almost immediately and I put aside almost all the rest of my (admittedly scant) responsibilities and sank into my recliner, e-book reader in hand.

No, I didn't finish the book the day I started it, but I was done by 10 am the next morning.  What can I say.  Another book I loved.  I will admit that my memory of Tim on Broadway was a bit sketchy and, indeed, for a while I was wondering if I had wandered into a parallel universe.  The Summerwind characters and setting were familiar, but seemed a bit off.  A quick glance back at Tim and all was explained.  Summerwind's central character, Carolyn Sohier, appears in Tim as does the resort setting on an island off Maine's Bar Harbor.   Described as a Greta Garbo like recluse, Carolyn even plays a part in helping Tim realize his own potential.  That said, she has little more than a cameo role in the first book.  Summerwind Magick tells her story, almost from the beginning.

I refer to Summerwind Magick as Bettencourt's "newest" book for a reason.  In his introduction to the novel, Bettencourt admits that he has worked with the story for quite some time, even letting it sit "in a drawer for several years."  I, for one, am glad he saw fit to pull it out of the drawer and get it in front of the public.  The story begins and ends on an island off the coast of Maine, where much of the action throughout the book takes place.  But between the covers, Bettencourt takes us to Salem and Peabody, Massachusetts, Miami and Key West, Florida, and New York City.  Of all the places the book visits, I have actually spent any time at just one, Key West.  But Bettencourt's skill is such that I felt as if I were actually on location throughout the book.  And as for characterization, the people in the book are so fully-fleshed, I felt as if I knew every one of them.  Moreover, they were people I would dearly love to call my friends.  I give this book my highest recommendation, and look forward to more from Rick Bettencourt.






And if you'd like to read Tim on Broadway, here is the link for the e-book version:

Saturday, October 28, 2017

It's a Triumph if you can keep it running


1980 Triumph TR7 Drop Head Coupe


Those of you who follow my writing may be aware that I am an Early Reviewer with Librarything.com.  What this means is that each month, the site sends out a list of books for us to peruse.  We can choose any or all of the books on the list (which includes children's books, textbooks, and e-books as well as traditionally bound books), and then, whatever algorithm the site uses chooses one book from our choices to send us.  We are expected to read the book and write a short review of same.  In September, my choices included a book on redoing your car upholstery and a book about Triumph sports cars, among others.  I just received my selection, The Illustrated History of Triumph Sports and Racing Cars.  I am beyond excited.  This is a beautiful book, and I highly recommend it to anyone interested in Triumphs, British sports cars in general, automotive history, or even Italian design.  There is a link at the bottom of this post where you can order the book for yourself, should you so choose.  Full disclosure, I get a small kickback if you order through my link.

In 1980, yes, thirty-seven years ago, I bought my first sports car, a four-year-old Triumph Spitfire in a color I called "red," but British Leyland called "pimento."  I still have that car, although at this point it would require a ground up restoration to put it back on the road.  In the years I have owned the Spit, I have spent three times as much in repairs and maintenance as the car cost me to buy.  I can't imagine what a complete restoration would cost today, but should Kevin win the lottery, restoring the Spit is one of my goals.  It was a fun car, and I've driven it quite a bit, sometimes at speeds where I wondered if the wheels would come off or the car would become airborne.

There was the time I desperately needed a vacation, so I threw my duffle bag in the trunk and hit the road for California, with the idea of spending a week with my parents in Smith River.  I was so tired, and so desperate, that I didn't bother checking minor things like 1) is the tire changing kit in the trunk? or 2) is there air in the spare tire.  You might note that these two questions are related.  Funny thing.  Driving south along the Oregon Coast, my left rear tire blew.  I pulled off the road, dug in the trunk and found that the spare was flat and there were no tools to change the tire.  Did I mention it was a Sunday afternoon?  As I sat there, admiring the ocean but beating myself up over my own stupidity, a family stopped on their way home from church.  Turns out father worked for (or maybe owned?) a tire store in the next town down the road.  He had the tools to get me back on the road, at least far enough to get a new tire on the car.  What's that line about "the kindness of strangers"?

The 1976 Triumph Spitfire in need of a new top (among other things)


I do not now remember why, but while at my folks' place, I rebuilt the engine in the Spit.  At that time there was a BAP Auto Parts store in Crescent City, and they had everything I needed to take apart the engine and put it back together.  I tell you, owning a Triumph has taught me more about auto mechanics than any classroom experience I ever had.

One other "fun" experience with the Spit.  My Scottish Country Dance group was scheduled to perform at the Red Lodge Festival of Nations in Red Lodge, Montana, some 350 miles from home.  It was Summer, and I thought it would be fun to hit the road with the top down.  Just east of Drummond (50 miles from home), the car died.  With help, I determined that the problem was the fuel filter, and I was able to procure one in Drummond and installed it in the Spit.  With that solved, I was able to drive to Bozeman where I spent the night.  The next day the car died in Livingston (30 miles from Bozeman), Big Timber (30 miles from Livingston), and approximately every 30 miles until we finally limped into Red Lodge just in time for me to change into my kilt and dance.  Noting that I had more difficulty in the heat of the day, and almost none during cooler evening temperatures, I chose to not spend the night, but rather drive all the way back to Missoula following our performance.  Need I say that the car performed flawlessly driving at night.  My Missoula mechanic determined that the problem was vapor lock caused by the placement of the mechanical fuel pump.  The Spit now has two fuel pumps, and a toggle switch under the dash.  In hot weather, I flip the switch and an electric pump takes over, eliminating any possibility of vapor lock.

A 1979 Triumph Spitfire on display at a car show in Polson, Montana

The book I received refers to "Sports and Racing Cars," and I would be remiss if I didn't mention that once upon a time, I even raced my Spit.  Back in the day, we had a British Car Club in Missoula, with a good number of Triumphs, MGs, Austin-Healeys, even a Standard 10 estate (station wagon).  Some of us had the idea that it would be fun to get involved in the Auto Cross Competitions the local SCCA (Sports Car Club of America) sponsored.  And yes, I drove my Spit in many of those events.  I never did very well, but the Spit did.  The girl friend of our club president won her class while driving my Spit.  So sometimes the problem is the driver and not the car.

Driving the Spit in an SCCA Autocross, Lolo Montana

Fast forward to the early 1990s (I don't remember exactly when), and my partner and I were in Spokane, Washington.  Gary was looking for a car, and when we saw something unusual parked alongside North Division, Gary asked what it was.  I replied, "It's a Triumph TR7.  You don't want it."  Long story short, that very same TR7 is now parked in my yard.  Gary loved the look, and the idea of having an unusual convertible.  He drove it home from Spokane with nary a hitch, but a couple of months later, while taking a "Sunday drive" around the countryside, the car started issuing a white vapor? smoke? from under the bonnet (hood), and Gary ended up limping home.  He never drove the car again.  But I have. Many times on many different kinds of roads.

TR7s were the first in the TR series to come only as a hard top coupe.  They shared nothing but a name in common with their predecessors, the venerable TR2s, TR3s, TR4s, TR5s (known in the U.S. as a TR250) and TR6s.  Known as "the Wedge," the car's advertising stated "This is the shape of things to come."  Recognizing that their largest market was the United States, British Leyland was forced to build cars that met US safety standards, and in 1975 that meant no convertibles.  The convertible version, or Drop Head Coupé, didn't come out until 1979.  Over the years, I have seen a great many Fixed Head Coupés, as the hardtops are called, but mine is the only convertible I've seen in real life.  
My 1980 Triumph TR7 set with Montana's Cabinet Mountains as a backdrop

TR7s got a bad rap.  Built at a time when British Leyland was struggling on many fronts, the cars didn't always meet quality standards.  The wedge look was something that people either liked or loathed, but there is no question that it was completely different from anything that had preceded it.  That doesn't mean it didn't sell.  British Leyland sold more TR7s than any previous model, 112,368 in the six years they were on the market.  Compare that to 94,619 TR6s sold over an eight year period.  At the very end of the run, adding an 8 cylinder engine to the Wedge got you a TR8, and BL sold 2,722 of those in 1980 and 81.  The car has been written up in Collectible Automobile (August 2013), Hemmings Motor News which asked the question "Was it as bad (or as good) as its press?"  and other publications.  What I know is this.  I love driving my 38 year old maple brown wedge, and I look forward to having the top down for many a Summer to come.

A quick bit of corporate history.  Triumph as a marque traces its origins to a bicycle manufacturer in 1885.  In 1902, the company added a small motor to its bikes, and in 1914, the founder of Triumph became, simultaneously, the Chairman of the Standard Motor Company.  The first automobile with the Triumph name came out in 1923.  The company's firs sports car arrived in the early 1930s.  Standard Motor Company bought Triumph in 1944, and that company was bought, in turn, by Leyland Motors Ltd in 1960.  Leyland went through more mergers and became British Leyland in 1968.  At this point, British Leyland was building Triumphs, MGs, Austin-Healeys and Jaguars.  Quite a range of very similar sports cars.  Triumph continued building both sedans and sports cars throughout the company's life and the first TR debuted in 1952.  The TR2 followed in 1953, the TR3 in 1955, the TR4 in 1961, the TR5/250 in 1967 and the TR6 in 1968.  The TR7/8, the last of the series, debuted in 1975 and ended in 1981.  The Triumph name lived on until 1984, in the form of a rebadged Honda Civic built in England under license.  No one seriously considers the Triumph Acclaim to be a Triumph.


My Maple Brown TR7 at Thompson Pass on the Montana/Idaho state line


Should you be interested in learning more about these fascinating cars, and other great Triumphs, just click the link below and get your own copy of the book I'm about to review.

Thursday, October 26, 2017

Photography: In Living Black and White


Tree on the UC Berkeley College Campus
Taken July, 1973.

For the past six days, I have been participating in a 7 day black and white photo challenge, I have to say what fun it has been working "old school" as it were. I'm repeating myself, but many years ago I stopped by the camera bar at a big box store in Billings, Montana, where the (much older than I) clerk caught my name and asked if I were related to Clarence Spellman. When I said that he was my father, the clerk told me that my dad had done the first color photography in Yellowstone County (of which Billings is the seat). That would have been back when I was a very small child, i.e. 1950-54. The clerk said he knew this, because at the time, he was the man who processed all my dad's photography, primarily Ektachrome slides. My dad had a Kodak rangefinder 35 mm camera that he used extensively, especially to document all the fish and game he and his friends got while enjoying the wilds of south central Montana.

Brother Jonathan Cemetery
Crescent City, California
Taken July, 1973

I grew up with a camera in my hands, beginning with a Kodak Brownie Box Camera, then moving on to an Instamatic, and finally being found worthy of using my dad's rangefinder. While in grad school, I took a course in photography through one of the many "free university" opportunities in Berkeley, and while I started out with the rangefinder, I ended up buying my first Single Lens Reflex, a Zenit camera, made in the Soviet Union and imported by Sears, of all places. It cost $60 in 1973, I remember this well because that camera was stolen from my apartment in Berkeley, and when I told the police it was just a $60 camera, they replied, "Yes, but it WAS your $60 camera." (Sidenote, a Nikon F2 with a 50 mm lens had a list price of $660 in 1973.) The class involved not just learning how to take photos, i.e. finding subjects, framing them, learning what makes a good photo and what doesn't, but also doing all our own processing. Taking the film out of the camera, removing it (in a suitably dark space) from the canister, processing the raw film, then using an enlarger in a dark room to actually print our own images. I still have the portfolio I submitted for that class, and I still love many of those images. They were all in black and white. If you don't know how to process film, I can tell you that black and white film is, relatively speaking, easy to process. Color film is another matter entirely.

7 Foot Band Saw
Simpson Logging
Smith River, California
Taken July, 1973

Fast forward to the 21st Century where so much has been digitized. I do almost all of my own processing, but now, instead of taking a film canister apart, I remove a memory card from my camera and insert it into my desktop computer. I download those digital images using a program from Adobe called Lightroom. (No need for a darkroom these days.) While my camera allows me the option to take the photograph in black and white, I prefer to take everything in color and use the computer to change the image's nature. Specifically, I use an add-on module with Adobe's Photoshop, something that anyone can download free of charge called NIK. The NIK plugins were available from Google, but Google just sold them to DxO who promises that for now, the NIK collection will be free. (This is truly breaking news. It was just announced few hours ago.) What will happen as DxO works with the NIK collection is anyone's guess, but DxO makes it's own photographic software which is superb, in my opinion, but costly, especially after you pay Adobe their monthly fees. One of the NIK collection items is called Silver Efex Pro 2, and that is what I have been using in this challenge. I thank Betty Depee for turning me onto NIK.

View of Pat's Knob from our home deck
Plains, Montana
Taken October 26th, 2017
Shot as a RAW image and processed in Photoshop CC2015 using a NIK Silver Efex Pro 2 filter